Showing posts with label historical romance. Show all posts
Showing posts with label historical romance. Show all posts

Wednesday, October 18, 2023

It's Out!

 

By Sword and Fan is now officially out and I'm just as thrilled as I was at the worldwide release of the previous eight. Maybe even a little more, because this one took longer to write and revise. Like the others, it's set in mid-eighteenth century England. 

 Here's a brief excerpt:

“Gone!” Archbold’s low, furious voice left Margaret in no doubt that he would have cursed if he had been alone or only with a man. She rode forward to join him.Two ponies with sidesaddles were loosely tethered in a little clear space between the trees and the foot of the rise. Ackerley’s hack was missing.

Campbell said, “I’ll be having a look at the road.”

The children had been abducted. No one needed to say it aloud.

The Scots groom was back in a trice. “No sign of them. Horses stood a whiles. Sh—droppin’s. A few spilt aits.”

And here's an excerpt from The Historical Fiction Company's review:

"[T]hat the characters are older and have experienced life more than many characters in romance novels makes them much more realistic...Buckley does a fantastic job developing characters and using a character-driven plot to engage readers and evoke emotions within the reader...“By Sword and Fan” by Kathleen Buckley receives four stars from The Historical Fiction Company."   The Historical Fiction Company  https://www.thehistoricalfictioncompany.com/post/a-delightful-historical-romance-an-editorial-review-of-by-sword-and-fan





Saturday, July 11, 2020

Reviewed: The Spymaster’s Lady by Joanna Bourne


The Spymaster's Lady (The Spymaster Series Book 1)

Why have I not run into Joanna Bourne’s books until now? In the last three or four years I  have read well over two hundred historical romances, both because I enjoy the well-written ones and for market research. I came across this one by accident. 

This Georgian/Regency period novel of romance and suspense has a strong plot, more than the usual number of twists, good period detail, and well delineated characters.  In particular, Annique, the heroine, is so very French that at times I had to grin. Ms. Bourne does not stop the story every fifty pages or so to drop in explicit sex scenes that do not contribute to the plot. There’s some sex but it’s actually relevant.

The Spymaster’s Lady reminded me of Jo Beverley’s books, which are among my favorites. Most of all, this is a page turner. I stayed up well past my bedtime because I couldn't put it down. 


Tuesday, May 5, 2020

A Chat with Donna Ann Brown, author of Elizabeth Barrett and Cupid’s Brooch


The title of Donna Ann Brown’s novel caught my attention because I’m an old English major. It sounded like a fun read, so I thought I'd interview the author.   

Q.: Donna, how did you come up with the you studied in school, something you read, or something you experienced?
Elizabeth Barrett
by Henry William Pickersgill
idea for your novel? Was it influenced by something

A.: Sitting with a group of women you haven’t met before is always interesting. At one particular women’s group, a lady told us she wished time travel existed. She wanted to go back in time and change a few aspects of her business. 

Another person talked about celebrities nonstop. The oddness of their conversations stuck with me. What would happen if an actress went back in time before they were vetted and petted? I thought the idea sounded fun and started playing with a story in my mind. Suddenly Liz Barrett came alive. About halfway through her story I wondered what would happen if her doppelganger changed places with her? There have been so many changes in the last 100 years. What would one experience seeing automobiles, airplanes, cell phones, and scantily clad woman? Elizabeth showed up. She decided the only explanation for where she had landed was Purgatory.

Q.: Was there a particular influence in your life that led you to write? A teacher? A book you read that made you want to write? Did you tell your cat—or teddy bear—stories after bedtime?

A.: A new girl entered our classroom in sixth grade. I became a social outcast for a while because she loved to bully people. My teacher noticed her behavior and gave me a book that changed my life. Harriet The Spy had friends who stopped talking to her.

The story resonated with me and I started scribbling daily in a notebook. My mother noticed and, instead of asking why I suddenly wanted to become a writer, she told me “You can’t make any money doing that for a living. You’ll go broke and starve so stop wasting your time.”

I took typing in high school instead of creative writing because I didn’t want to disappoint her. Wrote for company newsletters while working in Corporate America and even published a few articles in magazines. Did a hypnosis session when I realized I couldn’t finish any book I ever started.  Now I write a blog for a client who pays me and have a critic partner who I meet with consistently. My journey into writing has only just begun.

Q.: Are you a plot-in-detail or a seat-of-the-pants writer? How long did it take you to write?

What books am I reading in 2019? - Martijn ScheijbelerI read four books at a time and I write the same way. Unfortunately, I can read faster than I write. My critique partner reminded me I had a few finished projects and challenged me to submit at least one.  This book has been sitting in a folder on my desktop since 2012. I polished it last year, sent the story to The Wild Rose Press, and I’m thrilled they accepted Elizabeth Barrett & Cupid’s Brooch.

Q.: Is Elizabeth Barrett & Cupid’s Brooch a stand-alone or the beginning of a series?

A.: This book is a stand-alone book, however, I am getting whispers for another Trade in Time story.

Q.: Anything you want to add?

A.: Last year I went to Costa Rica to become an Access Consciousness Facilitator. Fun for me is learning a skill while visiting a new city or country.  I attend classes and conventions all over the world.  My adult son thinks I’m crazy but here I sit, eagerly anticipating my next certification. Which reminds me, I’ve only been to one Writer’s Conference in my life. Maybe that will be a destination vacation once the Coronavirus allows us to travel again.

Q.: Tell us something about yourself.

A.: I am full time Hypnotist, helping everyday people with everyday problems. Hypnosis has helped me uncover so many blocks in my life that I am honored to have the skills to help others. Working for myself allows me to create time for writing. How could life get any better than this?

Q.:  What’s the blurb for your book?

 Legend has it Cupid's Brooch sends you to your one true love...

Actress Liz Barrett, adored by millions, wields Cupid's Brooch and trades places with Miss Elizabeth Barrett of 1812, a young lady without connections who fears having no choice in whom she must marry.

Either Liz's rabid fans have made up this crazy story, while Elizabeth suffers what is surely purgatory, or they've traded places in time and perhaps even fallen into the arms of their one true love.

But what will Lord Whittington and Dr. Demfry do if fate is determined to switch them back?

I suspect many of Donna's experiences will resonate with other authors, perhaps particularly the character coming to life in one's imagination. Elizabeth Barrett & Cupid’s Brooch is being released May 6, 2020 and I’ve ordered a copy because how could I resist?

Thursday, September 26, 2019

$0.99 sale on Captain Easterday's Bargain, and whatever happened to Ambrose Hawkins?

Captain Easterday’s Bargain ebook version goes on sale for $0.99 on Friday, 9/27/2019, for two weeks, to celebrate the release of A Masked Earl on 10/2/2019.
My next project is to do some final tinkering with POV issues in my next book, tentatively titled, A Duke's Daughter. It deals with what happened to Ambrose Hawkins, alleged former pirate, after the events in Captain Easterday’s Bargain. I'm guessing it will be released nine or ten months from now.

Wednesday, August 7, 2019

How I learned to love Google Images


I have a fairly good visual memory and I’m pretty good at describing things, I think, which is handy for a writer. But in order to visualize and describe them, I’ve got to see them first. For someone whose genre is historical fiction, this can be tricky. Thank goodness for the wonders of the Internet and a good search engine.

Much of the time, I’m researching some specific thing, like what a Charleville 1717 musket looked like. Sometimes, an article online will include an illustration which intrigues me and leads me to other resources. Paintings from the period I’m writing about (the early to mid-1700s) are rich sources of inspiration. When I was writing my first novel, An Unsuitable Duchess, I looked for portraits from that era to see what people were wearing. By the second, Most Secret, I had discovered the DVD version of John Rocque’s 1746 map of London, which led to searching for images of Somerset House, the various squares, schooners, and a suitable place for Jane Stowe’s uncle to live.  
Wych Street, London, about 1880. Demolished soon after, one of these houses dating from about 1600 was the perfect residence for Jane's rakish, intelligence-gathering uncle.


Above, Canaletto's drawing of Old Somerset House, used at the time for a variety of small government offices, storage, and even some lodgings for government employees, provided a place for the anonymous intelligence service in Most Secret

With my third, Captain Easterday’s Bargain, I went looking for images of the Pool of London and the Thames generally in the early 18th century and found a treasure trove.

Pictures which inspired scenes in Captain Easterday’s Bargain:

Samuel Scott, A Thames Wharf, from the Victoria & Albert Museum collection.
This is sometimes identified as depicting Custom House Quay, but is more likely the East India Company wharf.

Samuel Scott, The Thames and the Tower of London, Supposedly on the King's Birthday

A General Prospect of Vauxhall Gardens from the west, with the proprietor's house and the Prince's Pavilion (with three shuttered windows) in the foreground.
And I needed a place for Olivia, the embattled shipping company owner, to live. I settled on Well Close Square as being slightly down-at-heels, in the right part of London, and having a magistrate's court that would be useful. The photograph below was taken in the 1960s, before the square's demolition. 



In my fourth, A Masked Earl, which I hope will be out by  early autumn of 2019, I found floor plans for both city and country houses,  as well as furniture and tea sets.

 
Taking tea. Note that these are tea bowls rather than tea cups.

And finally, a painting of tric-trac players which oozes romance…or possibly lust. I consider this virtually emblematic of the romance genre. You know they aren't talking about a dumb board game. 

Trictrac Players, attributed to Léonard DeFrance






Wednesday, March 27, 2019

Happy birthday, Captain Easterday



Today my third historical romance novel is out. You might think that by now, this would be a “ho-hum” event for me. It isn’t. The publication of every book, for me, at least, is like the birth of a child. Unfortunately, I’m better at researching and writing than I am at promotion. In an attempt to improve, I’ve been thinking about key words. You probably know what those are, if you’ve ever done a search on the Web: type in “night soil”, for which your results would include the definition, articles like  “Before There Was Plumbing, These Men Discreetly Got Rid of Human Waste” and “The Stink About Human Poop As Fertilizer - Modern Farmer”.

If you write historical romances like mine, you might assign the following key words: historical romanceGeorgian romance (because my books are set in the Georgian period—the 18th century—rather than the Regency, from 1810 to 1820), clean romance (i.e., no explicit sex), like Georgette Heyer, and like Jane Aiken Hodge (because the stories I write are more like Georgette Heyer’s and Jane Aiken Hodge’s than (for example) Jo Beverley’s or Mary Balogh’s—both of whose books I enjoy very much, though unlike mine, they’re definitely steamy.  
I should define what I mean by “clean romance”, because you hear that term, and “clean and wholesome”, and “sweet”, and it isn’t easy to determine exactly what’s meant by each. I specifically mean there are no explicit sex scenes. Male characters may admire a lady’s ankles or cleavage, female characters may feel yearnings, and there is the occasional embrace and kiss. There is occasional language, like “Rot my guts”, “Damme”, or “Damn my eyes”. There’s mention of night soil, harlots, and murder, among other things.

And because I began by talking about Captain Easterday’s Bargain, here’s a sample from Captain Easterday's Bargain:


Two days before they were to start for London, Mariah did not come down to breakfast.

“Such a slugabed!” her aunt Henrietta remarked. “That maid of hers is not in the habit of waking her because of the late nights in Town, but after almost two weeks, she should know one rises earlier in the country. Even if the chit doesn’t ring for her.” When she sent Mariah’s hatchet-faced maid to wake her, the woman returned precipitately to report that her bed was empty.

Mistress Easterday was a sensible lady and had four boys, ranging from newly come of age down to fifteen years, but she had only one daughter, a placid child of twelve. While the others were wondering where Mariah could be and Marcus Easterday frowned with a presentiment of trouble, his sister-in-law quietly instructed the maid to return to the bedchamber to see if she could find any clue to her whereabouts. Might she have dressed and gone out for an early walk? If her dressing gown and slippers were gone, mayhap she had wandered into some part of the rambling house which the maids had not yet visited.

 Mariah’s maid returned, white-faced. “Two of her gowns and shifts are gone, ma’am. And her cloak, and some other things.” At this point she was overcome and had to be revived with sal volatile. Mistress Easterday then sent her to lie down. “Wherever can she have gone?”

Little Sophie observed, “I expect she took them because she would need a change of clothing, wouldn’t she?”

After a pregnant pause, Mistress Easterday asked, “Dear, are you suggesting that Mistress Mariah has run away? Why would you think such a thing?”

“Mariah likes Mr. Beresford.”

Ellis Beresford was staying with the family of Sir Manfred Knott, a baronet with several daughters and a pimply son who had completed his first year at Oxford. The Easterdays had traded several visits with the Knotts and dined at each other’s homes twice, with the second turning into an impromptu dance. New faces, rare in the neighborhood, always led to a spate of entertainments. Marcus Easterday had not paid much attention to Beresford, beyond noticing the blond youth possessed pleasing manners, if a little too lively. Still, a lad of one-and-twenty cannot be expected to be as serious as a man of six-and-thirty.

“What is that to the point, child?” her papa asked. He knew even less about young ladies than his wife.

Sophia wriggled. “He likes her, too. You can tell by how they look at each other.” She cast an apologetic glance toward Marcus. “I know it sounds silly, Mama…but Mariah is rather like Alice, isn’t she?”

“Oh, Alice.” Mistress Easterday sniffed. “Sir Manfred’s youngest daughter. I’m afraid she reads novels of the most foolish sort.” The men at the table gazed at her, Geoffrey Easterday and his sons blankly, Marcus with growing disquiet.

“Sophia,” he said quietly, “do you think Mariah may have gone away with Mr. Beresford?”

Nigel, seventeen, snorted. “She doesn’t know anything. She’s still in the schoolroom.”

“I know Alice is always talking about how romantic it would be to go to Gretna Green with a gentleman who was handsome and titled. Mariah and Mr. Beresford talked together when Sir Manfred and his family came and we ate our supper down by the river. They stood looking at the river, and she sighed several times, and he patted her hand. I suppose it was very affecting, if one likes that kind of thing. It was like something out of one of Alice’s books.”

“Sickly stuff,” the youngest boy said.

“But Beresford has no title.” Mariah settle for a mere gentleman, when she had been determined to marry a duke?

At the same moment, his sister-in-law demanded, “Sophia Easterday, do you mean to tell me that you read Alice Knott’s foolish novels?”

“Only when she will lend them to me, Mama,” Sophie admitted in a small voice, “which is not very often.”

Mistress Easterday frowned at her daughter, and returned to the main issue. 
“Marcus, the boy became Viscount Franley’s heir a year or two since, when his brother died. We think of him as the boy who introduced frogs into the children’s beds and who once tied walnut shells onto the cat’s paws and released her into the uncarpeted hall in the middle of the night.”

“I think I had best ride over to see Beresford.” Marcus stood up and inclined his head to his sister-in-law, and added, “Thank you, Sophie. What an observant girl you are.”

“I wish it weren’t so, Uncle Marcus. It’s exciting to read of such things, but one wouldn’t wish to actually do them.”

He managed a wry smile at her, as his brother said, “I’ll go with you.”

The baronet’s home, too, was in turmoil. Beresford had left a note on his unused bed. “Gone to visit a friend. Back in a week or so.” He had taken a portmanteau but left most of his clothing. Ralph, the baronet’s heir, could tell them little more than that Ellis liked to ride out by himself most days. The previous day he had taken his sketch pad and gone to draw some scenic vista or other and had not returned for hours. After finding his note, inquiry of the head groom revealed that Beresford’s groom was gone, as well as their horses. “Seemin’ly they left in t’neet, wi’out mekkin’ a sound.”

Geoffrey Easterday drew Sir Manfred aside to apprise him of Mariah Saltstall’s absence.

“Stap me!” Sir Manfred rapped out. “They’ll not have gone far with Mistress Mariah riding pillion. They would hire a coach in Preston or take the stage. The border—and Gretna Green—is not much more than a hundred miles. Two days’ coach travel, mayhap, unless there’s rain. I’ve a speedy horse, Captain, which you are welcome to borrow. I will follow by coach, for I ride too heavy for such a race.”

“Thank you, Sir Manfred. I accept your offer.”

The baronet shouted to one of his grooms to saddle Lightning and be d—d quick about it. The groom ran to obey. Word would be through the stable and the house, too, without doubt. Next it would be the neighborhood.

Captain Marcus Easterday could not recall when he had last been so furious.

My books:


 https://www.thewildrosepress.com/books/captain-easterdays-bargain


















Wednesday, December 19, 2018

Captain Easterday's Bargain: "It just never ------- stops, does it?"


The cover art* and blurb were recently approved for my third historical romance (and no, there are no half-clad men in this one, either). The Wild Rose Press hasn’t given me a publication date yet, but I expect it will be within the next several months.  

Captain Easterday's Bargain resulted from research on shipping in the Pool of London for a previous novel, which brought to mind my own family connection to the shipping industry. My paternal grandfather worked for Railway Express throughout the Great Depression, until his retirement in the 1960s. My father worked for the Alaska Railroad from the end of World War II until he retired in the 1970s. I worked for two years as a security officer on Seattle's waterfront early in this century. Most of us never think about how fruit gets to our supermarket in the winter, or that we can buy specialty items from half the world away and they arrive, sometimes now in a matter of days rather than months. But even with motor freight, shipping containers, and computerized tracking, some things haven't changed much since the days of sailing ships and freight wagons. As one of the managers at the marine terminal where I was stationed put it, after a long, difficult day, "It just never ------- stops, does it?"

Blurb:
London's cutthroat shipping trade is no place for a lady, although Olivia Cantarell has secretly acted as her father's assistant for years. Now she has inherited his company, she has no mind to give up control over it—and herself—by marrying, however flattering it is to be sought after for the first time in her life. In spite of threats and intimidation, she will fight to keep her business.

Careful, responsible, and twice jilted, Captain Marcus Easterday has no heart to attempt marriage a third time. But he cannot stand by and see a woman cheated of her livelihood by Ambrose Hawkins, rumored to be a former pirate, a man whose name is known and feared in ports from the West Indies to China.

Courted by the ruthless Hawkins while relying on the scrupulous Easterday's help, Olivia must conceal the identity of one of her clerks and protect her company and employees. Who can she trust?



*No, I don't know what kind of ship that is on the cover. Seems awfully high and ornate in the stern. If you recognize it, please let me know—I looked at a lot of pictures of sailing ships when I was writing Most Secret, but never came across one like this.

On the other hand, it conveys the maritime theme and the moon hints at romance. Works for me.

Tuesday, December 4, 2018

18th Century Chocolate Cream


Huzzah!

Most Secret, my historical romance set in the days leading up to the 1745 Jacobite Rebellion, recently won Third Place in the Historical division of the Oklahoma Romance Writers of America International Digital Awards.

In celebration whereof, I’m sharing one of the very, very few 18th century recipes that use chocolate. They drank chocolate, of course, but they seldom used it otherwise: no one ate bon-bons or devil’s food cake or chocolate chip cookies in the 18th century or indeed, well into the 19th century. What made our chocolate candy and cake possible was the invention in 1828 of the Dutch process for treating cacao beans, which greatly facilitated the use of chocolate by reducing the acidity of the beans and increasing solubility.  

Chocolate-Cream
From The Compleat Confectioner, by Mrs. Eales, Confectioner to King William and Queen Ann, Third Edition, 1742

Take a quarter pound of chocolate, breaking it into a quarter of a pint of boiling water; mill (i.e., beat) it and boil it until all the chocolate is dissolved; then put to it a pint of cream and two eggs well beaten; let it boil, milling it all the while; when it is cold, mill it again, that it may go up with a froth.

The chocolate used must have been “drinking chocolate”, sold in tablets, introduced in England in 1674, consisting of roasted, shelled, crushed cacao beans which were ground to a gritty powder, to which were added sugar and spices. 


The closest I could come to 18th century chocolate tablets was Mexican chocolate tablets sold to make Mexican-style hot chocolate. They contain sugar and cinnamon and are much more brittle than our baking chocolate.

I used two large eggs; 18th century eggs would have been smaller; a little smaller than our “Small” eggs, which are supposed to average out to 1.5 ounces. Going by the traditional pound cake recipe dating at least to the 18th century of one pound each of flour, sugar and eggs, eggs of the period must have averaged about 1.33 ounces each.

The result was softer than modern mousse, possibly because of the larger eggs, or maybe because I don’t have a kitchen maid to beat the mixture for an extended period. I may not have boiled it as long as I should, either. But it was quite tasty. When I try it again, I’ll address those issues.





Thursday, May 24, 2018

Most Secret: a romance of the Jacobite Rebellion




Most Secret

My second historical romance, Most Secret, will be released on May 28, 2018. It’s set in late summer of 1745, when the Young Pretender is gathering his army in Scotland. 

I’ve visited Scotland. I liked it and the people, though I am dubious about haggis. I visited Culloden. I sympathize with the Jacobites for a whole menu of reasons. The choice of George I, approximately number 50 in line for the British throne on Queen Anne’s death, was not popular even with all the English. There are many novels out there told from the Jacobite point of view, with Diana Gabaldon’s Outlander series (which I love) at the head of the list.
I thought it was time someone reported from the other side. But Most Secret is not a serious study of England’s preparation for the Scottish invasion. In fact, it’s more humorous than not.

Excerpt below:

“Forgive me for accosting you in the street, but there were reasons I could not call upon you at your home. Quite apart from the impropriety of a strange man visiting an unmarried lady,” he added.
“Are you a strange man?” The question popped out before she could stop it; something about him made her want to smile.
“So I’m told. May I carry your basket so I appear to have a legitimate reason to walk with you?”
“You can’t simply go up to a respectable female and…and…” Words failed her.
“Yes, I can. Besides, we were introduced by Lady Montfort.”
“Were we? I don’t recall it.” She would have. This outrageous creature was quite unlike the punctilious men she was accustomed to meet.
He smiled. “Alex Gordon, at your service. I am not surprised you have forgotten my presence as well as my name, considering the crush of guests at that affair—and so ill-assorted, too—”
“Were you one of them?” She failed to suppress a smile, for the Montforts’ invitations tended to be rather indiscriminate, and Lady Montfort did have some very odd relatives.




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Friday, May 19, 2017

An Unsuitable Duchess

Back in 2013, when I was writing An Unsuitable Duchess—and only about 17,000 words in—I wrote a post about Time Travel to the Year 1740. An Unsuitable Duchess came out today, May 19, 2017, published by The Wild Rose Press, Inc. at thewildrosepress.com

It’s been a long, peculiar three and a half years.

Things I’ve done that I never expected to:

Received a contract offer 44 days after submitting my query letter. When I first began submitting work (back before home computers, the Internet and cell phones), getting a response from a publisher routinely took six months. Agents? They were often too busy to respond at all.

Had an “author photo” taken. Helpful hint to new authors if you find yourself in the delightful position of needing a photograph but feel you are insufficiently photogenic. Wear large or ridiculous headgear—an exuberant garden party hat, a pith helmet or an “Indiana Jones”-type hat. Holding a cat up is also a good move.

Loved the cover art! Almost exactly what I had envisioned, thanks to RJ Morris of The Wild Rose Press, Inc.

Bought a DVD of John Rocque’s 1746 map of London and Westminster. This is a treasure for anyone who needs to know the streets, yards and docks of mid-18th century London. A modern map is almost useless—so many streets and landmarks have been destroyed or re-named. You will not find Wych Street or Craven Buildings Yard on a modern map.

Ordered promotional business cards and postcards.

Set up a Facebook page for my book: https://www.facebook.com/anunsuitableduchess/


And yes, in spite of a bad case of nerves, I’m thrilled.