Showing posts with label clean romance. Show all posts
Showing posts with label clean romance. Show all posts

Friday, June 14, 2024

Review of An Offer for a Spinster by Dorothy Sheldon


An Offer for a Spinster (Book 1 of Willoughby) by Dorothy Sheldon caught my eye out of a bunch of similar books  because the last name of my best friend in grade school and junior high was Sheldon. I previewed the first page and found nothing to put me off  so I bought it and I’m glad I did. The Regency romance genre in the age of self-publishing is a very mixed bag.

Sheldon is the real deal. No flubs that I noticed except a word or two  (“surreal” for one) that were not in use at that time and no grammatical infelicities. An Offer for a Spinster is clean and sweet without being icky, if you know what I mean and I think you do. It’s the kind of historical romance I remember fondly from the nineties, before so many of them had obligatory sex scenes every thirty pages or so.

I won’t rehash the plot; it was not unbelievable and I’m sure many compulsive readers will sympathize with the main characters’ problems with their families. Before I was halfway through the book, I bought the next in the series, and now I find that she has written several other romances as well. Binge read time!  


 

Sunday, April 23, 2023

An Excellent Traditional Romance in the Style of Georgette Heyer

 The Country Gentleman by Dinah Dean received a rave review on a social media site which intrigued me enough that I bought it.

I’m a cranky critic and I’d give it six stars if book ratings went that high. It’s that good.

What did I love about it?

This is a traditional Regency romance set in a village among gentry and common folk. No titles, no fabulous balls, and no sex. A Georgette Heyer or Jane Austen sort of novel, with some wit, deft characterization, and a smooth, clear style.   

Excellent writing in addition to the style: no grammatical infelicities, no typos that I noticed (except one or two introduced by the scanning process (the book was originally published in 1986).

Ms. Dean’s grasp of the period goes well beyond the average. The characters are not 20th or 21st century people in costume; their attitudes and behavior feel right for the period. They eat what people actually did eat at the time (not a chocolate or a scone in sight, because bon-bons and scones as we know them did not yet exist).  She knows that while in the Regency “Corinthian” referred to a sporting gentleman, earlier it meant something quite different (“a very impudent, harden’d, brazen-fac’d fellow”, from a 1699 dictionary of cant terms).

Her descriptions of Woodham and the surrounding countryside are so rich and convincing that the background is almost another character.    

If you enjoy romance in the Georgette Heyer manner, you should not miss this book. I’m going to go on a Dinah Dean reading binge.

PS: I don't know if I ever posted a link to my (very occasional) newsletter. If you're interested in Georgian trivia, news about my upcoming releases, special offers, etc., here it is: https://18thcenturyromance.com/subscribe-to-my-newsletter-2/



Tuesday, February 8, 2022

TALES FROM THE HIGHLANDS by Martha Keyes

 

I should have written a glowing review of the first Martha Keyes novel I read, THE WIDOW AND THE HIGHLANDER. Maybe it’s just as well I waited, because now I‘ve finished all four of the TALES FROM THE HIGHLANDS and can praise them all in one review, a great saving of time. 

Here’s what I like about these traditional Georgian historical romances. They’re in the manner of Georgette Heyer, so there are no obligatory sex scenes, but with a Scottish accent. The characters face real, believable problems and dangers.

The setting, story, characters, and detail all feel authentic, which is rarer than one might wish in historical romance. 

The quality of the writing is good,  and the books kept me reading (I can’t guess how many other novels I’ve started, put down, and never picked up again because they just weren’t compelling enough). Now I’m reading Ms. Keyes’s OF LANDS HIGH AND LOW.

If you enjoy historical romance and don’t insist on the characters tearing each other’s clothing off every thirty pages, these are for you.  

The series:

THE WIDOW AND THE HIGHLANDER

THE ENEMY AND MISS INNES

THE INNKEEPER AND THE FUGITIVE

THE GENTLEMAN AND THE MAID









Saturday, January 29, 2022

A Westminster Wedding

 It's been a long haul.

My sixth novel, Portia & the Merchant of London,  was released in February of last year. The seventh, A Westminster Wedding, should (I hope!) come out in the next two or three months. The delay was caused by the need to make some extensive revisions and then by scheduling issues. I believe I've got one more set of galleys to look at, but the cover and blurb are done. 

The title does not refer to a wedding at St. George's, Hanover Square. It's taken from N. Bailey's Universal Etymological English Dictionary, published in 1737:

Westminster-wedding, a Whore and a Rogue married together.

Sometimes I like to play with the tropes and conventions often found in historical romance. No, the heroine is not a prostitute, and the hero is not a rogue...strictly speaking. But there is an archrogue in a supporting role, and deceit galore.

The blurb:

The Barding earldom may be doomed. A shocking suggestion may provide another potential heir.

Miles Halliwell, Barding’s man of business, owes everything to the earl. Does loyalty to his employer require him to deal with a known criminal and incite forgery? Unfortunately for Miles’s peace of mind, it may.

To protect her family’s reputation, Julia St. John, daughter of a baron, has given up everything to live in obscurity with an illegitimate son and no better future in sight. The earl’s family offers a new life…at the cost of a few more lies. 

  

   

Saturday, July 11, 2020

Reviewed: Katherine, When She Smiled by Joyce Harmon


For me, Georgette Heyer's novels (she invented the Regency/Georgian romance) is the gold standard. Joyce Harmon's delightful Regency romance, Katharine, When She Smiled, has all the elements of a Heyer novel: above average style, interesting characters, good plot, excellent dialog, and, well, an appropriately period "feel".


I'm not going to describe the plot, because if you're interested enough to shop for it, you'll end up reading the blurb either online or on the cover. For me, the essence of a review is why the reviewer liked it (because if Ruthie Reviewer writes something like, "I loved Goddess in Gucci: what's more fun than a narcissistic CEO whose hobbies are sex and shopping?" I know I won't like it).   

There's no sex, which is a plus for me. I don't object to explicit sex if it's actually integral to the story, but it so seldom is. I am now going to seek out Ms. Harmon's other novels; what with staying home, social distancing, and trying not to undermine my housemate's and my own diet by baking, I have even more time to binge read.


Friday, August 16, 2019

Most Secret, my second historical novel (ebook edition), is currently on sale for $0.99

My second novel, Most Secret, is currently on sale for $0.99 at https://www.amazon.com/Most-Secret-Kathleen-Buckley-ebook/dp/B07CKTJ5T4/ref=sr_1_2?keywords=Kathleen+Buckley&qid=1565959612&s=books&sr=1-2


Jane Stowe frequently finds her irritable father, peevish stepmother, and half-brother Rupert a trial. Her only hope of eventual escape is her maternal uncle, Roger Markham, whose heir she is. When he dies under mysterious circumstances, Jane is the obvious suspect.


Sent to unofficially investigate a suspected smuggler, Alex Gordon uncovers a plot to send a cargo of muskets to Bonnie Prince Charlie in Scotland. Now he’s been told to leave the rest to the professionals. But Jane Stowe, who provided the first clue to the plot, is suspected of murder. Her feckless half-brother is involved. It’s all connected, and the professionals have no stake in saving Jane from the gallows or Rupert from a charge of treason.


Alex, with nothing more than a talent for amateur theatricals, lock-picking, and a personal interest in Jane, has a plan. Or most of a plan, at least. It will take him to Scotland and make him a fugitive from both Jacobites and the Crown, and send Jane into hiding.


Most Secret contains no explicit sex, mild bad language, mild violence, and humor. 


Wednesday, March 27, 2019

Happy birthday, Captain Easterday



Today my third historical romance novel is out. You might think that by now, this would be a “ho-hum” event for me. It isn’t. The publication of every book, for me, at least, is like the birth of a child. Unfortunately, I’m better at researching and writing than I am at promotion. In an attempt to improve, I’ve been thinking about key words. You probably know what those are, if you’ve ever done a search on the Web: type in “night soil”, for which your results would include the definition, articles like  “Before There Was Plumbing, These Men Discreetly Got Rid of Human Waste” and “The Stink About Human Poop As Fertilizer - Modern Farmer”.

If you write historical romances like mine, you might assign the following key words: historical romanceGeorgian romance (because my books are set in the Georgian period—the 18th century—rather than the Regency, from 1810 to 1820), clean romance (i.e., no explicit sex), like Georgette Heyer, and like Jane Aiken Hodge (because the stories I write are more like Georgette Heyer’s and Jane Aiken Hodge’s than (for example) Jo Beverley’s or Mary Balogh’s—both of whose books I enjoy very much, though unlike mine, they’re definitely steamy.  
I should define what I mean by “clean romance”, because you hear that term, and “clean and wholesome”, and “sweet”, and it isn’t easy to determine exactly what’s meant by each. I specifically mean there are no explicit sex scenes. Male characters may admire a lady’s ankles or cleavage, female characters may feel yearnings, and there is the occasional embrace and kiss. There is occasional language, like “Rot my guts”, “Damme”, or “Damn my eyes”. There’s mention of night soil, harlots, and murder, among other things.

And because I began by talking about Captain Easterday’s Bargain, here’s a sample from Captain Easterday's Bargain:


Two days before they were to start for London, Mariah did not come down to breakfast.

“Such a slugabed!” her aunt Henrietta remarked. “That maid of hers is not in the habit of waking her because of the late nights in Town, but after almost two weeks, she should know one rises earlier in the country. Even if the chit doesn’t ring for her.” When she sent Mariah’s hatchet-faced maid to wake her, the woman returned precipitately to report that her bed was empty.

Mistress Easterday was a sensible lady and had four boys, ranging from newly come of age down to fifteen years, but she had only one daughter, a placid child of twelve. While the others were wondering where Mariah could be and Marcus Easterday frowned with a presentiment of trouble, his sister-in-law quietly instructed the maid to return to the bedchamber to see if she could find any clue to her whereabouts. Might she have dressed and gone out for an early walk? If her dressing gown and slippers were gone, mayhap she had wandered into some part of the rambling house which the maids had not yet visited.

 Mariah’s maid returned, white-faced. “Two of her gowns and shifts are gone, ma’am. And her cloak, and some other things.” At this point she was overcome and had to be revived with sal volatile. Mistress Easterday then sent her to lie down. “Wherever can she have gone?”

Little Sophie observed, “I expect she took them because she would need a change of clothing, wouldn’t she?”

After a pregnant pause, Mistress Easterday asked, “Dear, are you suggesting that Mistress Mariah has run away? Why would you think such a thing?”

“Mariah likes Mr. Beresford.”

Ellis Beresford was staying with the family of Sir Manfred Knott, a baronet with several daughters and a pimply son who had completed his first year at Oxford. The Easterdays had traded several visits with the Knotts and dined at each other’s homes twice, with the second turning into an impromptu dance. New faces, rare in the neighborhood, always led to a spate of entertainments. Marcus Easterday had not paid much attention to Beresford, beyond noticing the blond youth possessed pleasing manners, if a little too lively. Still, a lad of one-and-twenty cannot be expected to be as serious as a man of six-and-thirty.

“What is that to the point, child?” her papa asked. He knew even less about young ladies than his wife.

Sophia wriggled. “He likes her, too. You can tell by how they look at each other.” She cast an apologetic glance toward Marcus. “I know it sounds silly, Mama…but Mariah is rather like Alice, isn’t she?”

“Oh, Alice.” Mistress Easterday sniffed. “Sir Manfred’s youngest daughter. I’m afraid she reads novels of the most foolish sort.” The men at the table gazed at her, Geoffrey Easterday and his sons blankly, Marcus with growing disquiet.

“Sophia,” he said quietly, “do you think Mariah may have gone away with Mr. Beresford?”

Nigel, seventeen, snorted. “She doesn’t know anything. She’s still in the schoolroom.”

“I know Alice is always talking about how romantic it would be to go to Gretna Green with a gentleman who was handsome and titled. Mariah and Mr. Beresford talked together when Sir Manfred and his family came and we ate our supper down by the river. They stood looking at the river, and she sighed several times, and he patted her hand. I suppose it was very affecting, if one likes that kind of thing. It was like something out of one of Alice’s books.”

“Sickly stuff,” the youngest boy said.

“But Beresford has no title.” Mariah settle for a mere gentleman, when she had been determined to marry a duke?

At the same moment, his sister-in-law demanded, “Sophia Easterday, do you mean to tell me that you read Alice Knott’s foolish novels?”

“Only when she will lend them to me, Mama,” Sophie admitted in a small voice, “which is not very often.”

Mistress Easterday frowned at her daughter, and returned to the main issue. 
“Marcus, the boy became Viscount Franley’s heir a year or two since, when his brother died. We think of him as the boy who introduced frogs into the children’s beds and who once tied walnut shells onto the cat’s paws and released her into the uncarpeted hall in the middle of the night.”

“I think I had best ride over to see Beresford.” Marcus stood up and inclined his head to his sister-in-law, and added, “Thank you, Sophie. What an observant girl you are.”

“I wish it weren’t so, Uncle Marcus. It’s exciting to read of such things, but one wouldn’t wish to actually do them.”

He managed a wry smile at her, as his brother said, “I’ll go with you.”

The baronet’s home, too, was in turmoil. Beresford had left a note on his unused bed. “Gone to visit a friend. Back in a week or so.” He had taken a portmanteau but left most of his clothing. Ralph, the baronet’s heir, could tell them little more than that Ellis liked to ride out by himself most days. The previous day he had taken his sketch pad and gone to draw some scenic vista or other and had not returned for hours. After finding his note, inquiry of the head groom revealed that Beresford’s groom was gone, as well as their horses. “Seemin’ly they left in t’neet, wi’out mekkin’ a sound.”

Geoffrey Easterday drew Sir Manfred aside to apprise him of Mariah Saltstall’s absence.

“Stap me!” Sir Manfred rapped out. “They’ll not have gone far with Mistress Mariah riding pillion. They would hire a coach in Preston or take the stage. The border—and Gretna Green—is not much more than a hundred miles. Two days’ coach travel, mayhap, unless there’s rain. I’ve a speedy horse, Captain, which you are welcome to borrow. I will follow by coach, for I ride too heavy for such a race.”

“Thank you, Sir Manfred. I accept your offer.”

The baronet shouted to one of his grooms to saddle Lightning and be d—d quick about it. The groom ran to obey. Word would be through the stable and the house, too, without doubt. Next it would be the neighborhood.

Captain Marcus Easterday could not recall when he had last been so furious.

My books:


 https://www.thewildrosepress.com/books/captain-easterdays-bargain


















Wednesday, December 19, 2018

Captain Easterday's Bargain: "It just never ------- stops, does it?"


The cover art* and blurb were recently approved for my third historical romance (and no, there are no half-clad men in this one, either). The Wild Rose Press hasn’t given me a publication date yet, but I expect it will be within the next several months.  

Captain Easterday's Bargain resulted from research on shipping in the Pool of London for a previous novel, which brought to mind my own family connection to the shipping industry. My paternal grandfather worked for Railway Express throughout the Great Depression, until his retirement in the 1960s. My father worked for the Alaska Railroad from the end of World War II until he retired in the 1970s. I worked for two years as a security officer on Seattle's waterfront early in this century. Most of us never think about how fruit gets to our supermarket in the winter, or that we can buy specialty items from half the world away and they arrive, sometimes now in a matter of days rather than months. But even with motor freight, shipping containers, and computerized tracking, some things haven't changed much since the days of sailing ships and freight wagons. As one of the managers at the marine terminal where I was stationed put it, after a long, difficult day, "It just never ------- stops, does it?"

Blurb:
London's cutthroat shipping trade is no place for a lady, although Olivia Cantarell has secretly acted as her father's assistant for years. Now she has inherited his company, she has no mind to give up control over it—and herself—by marrying, however flattering it is to be sought after for the first time in her life. In spite of threats and intimidation, she will fight to keep her business.

Careful, responsible, and twice jilted, Captain Marcus Easterday has no heart to attempt marriage a third time. But he cannot stand by and see a woman cheated of her livelihood by Ambrose Hawkins, rumored to be a former pirate, a man whose name is known and feared in ports from the West Indies to China.

Courted by the ruthless Hawkins while relying on the scrupulous Easterday's help, Olivia must conceal the identity of one of her clerks and protect her company and employees. Who can she trust?



*No, I don't know what kind of ship that is on the cover. Seems awfully high and ornate in the stern. If you recognize it, please let me know—I looked at a lot of pictures of sailing ships when I was writing Most Secret, but never came across one like this.

On the other hand, it conveys the maritime theme and the moon hints at romance. Works for me.

Thursday, May 24, 2018

Most Secret: a romance of the Jacobite Rebellion




Most Secret

My second historical romance, Most Secret, will be released on May 28, 2018. It’s set in late summer of 1745, when the Young Pretender is gathering his army in Scotland. 

I’ve visited Scotland. I liked it and the people, though I am dubious about haggis. I visited Culloden. I sympathize with the Jacobites for a whole menu of reasons. The choice of George I, approximately number 50 in line for the British throne on Queen Anne’s death, was not popular even with all the English. There are many novels out there told from the Jacobite point of view, with Diana Gabaldon’s Outlander series (which I love) at the head of the list.
I thought it was time someone reported from the other side. But Most Secret is not a serious study of England’s preparation for the Scottish invasion. In fact, it’s more humorous than not.

Excerpt below:

“Forgive me for accosting you in the street, but there were reasons I could not call upon you at your home. Quite apart from the impropriety of a strange man visiting an unmarried lady,” he added.
“Are you a strange man?” The question popped out before she could stop it; something about him made her want to smile.
“So I’m told. May I carry your basket so I appear to have a legitimate reason to walk with you?”
“You can’t simply go up to a respectable female and…and…” Words failed her.
“Yes, I can. Besides, we were introduced by Lady Montfort.”
“Were we? I don’t recall it.” She would have. This outrageous creature was quite unlike the punctilious men she was accustomed to meet.
He smiled. “Alex Gordon, at your service. I am not surprised you have forgotten my presence as well as my name, considering the crush of guests at that affair—and so ill-assorted, too—”
“Were you one of them?” She failed to suppress a smile, for the Montforts’ invitations tended to be rather indiscriminate, and Lady Montfort did have some very odd relatives.




http://www.theromancereviews.com